But the ideas were quite robust from the start, so there was only the dramatization to worry about. We are quite happy with the finished script, although there might come some additions to it during the shooting phase.
As "The Touch" is a cinematic story(some say a bit melancholy at
that), which encouraged us to integrate the effects into the drama, and not
to make them the driving force of the story. That said, we do try to bring
along something to make the audience wonder if what they see actually is Real
:)
The Shooting Phase is a rather complex one. The original negative is a 35mm KODAKTM brand.
We shoot with the 1:1,85 ratio (customary in U.S., Europe prefers 1:1.66). The Lighting is
supplied by several 4k, 2.5k, 1.2k, 575 and 200 HMI daylight lamps. The overall ambient color
of lighting is 'bluish'. Probably the bluish glimmer aids our bluescreen separationprocess as well.
The Bluescreen Shots in the film will be done alongside with the other non-effect shots. We plan
to take several Background Plates and without moving the camera position or the lighting within
the frame, take the action against the Bluescreen right after the Bg Plate.
The Audio will be recorded at the Location and at the Studio, but for practical purposes this will
serve as a helper for the Audioediting. We will be using digital audio all through the process, with either
Dolby SR ST or DTS as a final audio mixmaster. A ProtoolsTM unit
will be our main tool for audioediting.
The Postproduction Phase is even more complicated than the principal photography - in fact so complicated that
due to production schedule, we will update this information later. So remember to check this page out
20th of February.
2) The Bluescreen and the Character
3) The Mix of 1 and 2
4) Animation and the Alpha-channel
5) The mix of 1, 2 and 4 with 4 in the middle
Compositing 1-2-3-4-5
1) The Background Plate